Sacred Art

Rolling Back the Tide of Post Vatican II Iconoclasm: the Newly Revealed Wall Painting at the Oxford Oratory

Rolling Back the Tide of Post Vatican II Iconoclasm: the Newly Revealed Wall Painting at the Oxford Oratory

Whitewashing over wall paintings has always been a common measure taken by those who wish to remove images from churches. Applying a coat of paint is cheaper and quicker than replastering the surface! Islamic iconoclasts at Hagia Sophia, Protestant Reformers in 16th-century England, and, it seems, Catholic iconoclasts of the 1970s all resorted to this method of obliterating sacred art to hide the beauty of the Church.  

Is Artificial Intelligence (AI) Bad for Sacred Art?

Is Artificial Intelligence (AI) Bad for Sacred Art?

Art is as good as it looks. If there is more and better art by this measure as a result of AI then that is a good thing and I would be happy to see it. It seems similar to me to the situation that arose when photography was invented, or when musicians could start to use computers to create music. Perhaps in this new situation, we will give the person who asks Chat GBT the right questions, or even the programmer who created it the right questions the credit for being the artist!

Is This An Image of Inclusion or Exclusion?

Is This An Image of Inclusion or Exclusion?

For the woke Marxist, such a painting would be intended to communicate to all people who see it, regardless of race, that Christ was not white. The goal is not to propogate the Faith, but to pit all minorities against people of European descent and cause conflict.

How is a Tradition Established? The Emerging Pattern of Christian Art in the Early Church

How is a Tradition Established? The Emerging Pattern of Christian Art in the Early Church

The universal elements of good Christian traditional art both reflect and in turn guide the natural desire of all men for supernatural fulfillment in the Common Good; while the local and temporal variations, which are more superficial but nevertheless also necessary, reflect more individual responses to that call as affected by local cultures. 

The Philosophy of Contemporary Mainstream Fine Art Education and Art Criticism: Part 3

The Philosophy of Contemporary Mainstream Fine Art Education and Art Criticism: Part 3

Trying to Understand, and Counter, the Philosophy of Mainstream Art Schools and Contemporary Art Criticism. Part 3. How Marxist theory has entered the mainstream, and how radical, Christian ‘counter-revolutionary’ beauty is the response that will save the world.

The Philosophy of Contemporary Mainstream Fine Art Education and Art Criticism: Part 2

The Philosophy of Contemporary Mainstream Fine Art Education and Art Criticism: Part 2

Trying to Understand the Philosophy of Mainstream Art Schools and Contemporary Art Criticism. Part 2, The Appeal of Marxism as a Quasi Religion with It’s Own Salvation History, and the Counter-Revolutionary power of Christian sacred art

The Philosophy of Contemporary Mainstream Fine Art Education and Art Criticism: Part 1

The Philosophy of Contemporary Mainstream Fine Art Education and Art Criticism: Part 1

Trying to Understand, and to Counter, the Philosophy of Mainstream Art Schools and Contemporary Art Criticism. Part 1, Postmodernism, an art movement that doesn’t really exist?