The July edition of the Adoremus Bulletin is now out, produced under the leadership of its new editor Chris Carstens. Articles include translations of public statements by Cardinal George Sarah as well as original articles by Adam Bartlett and Joseph O'Brien.
If you are not yet aware of the great work that Adam Bartlett is doing for chant in the vernacular then you should be!. I only found out recently the full extent of his work. His compositions are published by Illuminare Publications. He is creating excellent chants for the Ordinaries and Propers of the Mass and responsorial psalms available through the Missal, Hymnal and Simple Gradual. Additionally he is composing constantly and four-part arrangements for accompaniment and singing are posted on the Illuminare website score library weekly and are available free of charge until they are published as a collection. These are available to be downloaded free of charge from their . Through the work that he and others are doing,along with others, I think that there is real hope for the establishment of an authentic tradition of chant for English language in the Roman Rite. What he does sits alongside what is happening in the Anglican Ordinariate. One hopes that development in each will nourish the other in the future. I am great believer in the importance of the vernacular in the liturgy alongside - not replacing - the Latin, and among these English is in a uniquely important position at the moment. I have written here in the past of the importance of this not just in liturgical renewal, but also the evangelization of the culture (Has Pope Francis Saved Western Culture?). In his article for Adoremus Bartlett considers the place of hymnody in the Liturgy of the Hours, not only by examining its history but by providing a contemporary context for hymns in the upcoming edition of the Liturgy of the Hours in English.
The second story, by Joseph O’Brien, tells of the newly-dedicated Newman Center church on the campus of the University of Nebraska in Lincoln, and how beauty of the architecture and stained glass windows is intended as a key element in the liturgical formation of college students. While the images in the windows, for example, will communicate and reinforce the truths of the Faith through their content pedagogically, that is not their sole purpose or even their highest purpose. The beauty of the form communicates something that, to paraphrase of the Catechism, words cannot. Content and form combine beautifully in their profoundly thought out liturgical context so as to encourage in the students to a deep and authentic participation in the liturgy. This is the ultimate purpose of beauty in the liturgy. As Chris Cartens points out in his editorial, it is the transfiguration of the students through the worship of God in the Sacred Liturgy as part of the body of Christ that is the ultimate aim of this. One hopes that the new Newman Center in Lincoln will have lasting effect so that many students will go on to be part of a growing body of people who will contribute to the transformation of the whole culture.
—JAY W. RICHARDS, Editor of the Stream and Lecturer at the Business School fo the Catholic University of America said about it: “In The Way of Beauty, David Clayton offers us a mini-liberal arts education. The book is a counter-offensive against a culture that so often seems to have capitulated to a ‘will to ugliness.’ He shows us the power in beauty not just where we might expect it — in the visual arts and music — but in domains as diverse as math, theology, morality, physics, astronomy, cosmology, and liturgy. But more than that, his study of beauty makes clear the connection between liturgy, culture, and evangelization, and offers a way to reinvigorate our commitment to the Good, the True, and the Beautiful in the twenty-first century. I am grateful for this book and hope many will take its lessons to heart.”