Catholic

The Problem With Artistic complacency

The Problem With Artistic complacency

Complacency is a rejection of things as they might be. "Good enough" is the motto of the complacent person. Complacency makes people fear the unknown, mistrust the untried, and abhor the new. Like water, complacent people follow the easiest course – downhill.

Pagan Themes and the Christian Artist

Pagan Themes and the Christian Artist

Should a Christian artist paint themes from pagan mythology, other religions, or even fantasy motifs?

Many artists who are deeply grounded in their Christian faith, especially those just starting out in their career, have questions about what is and is not appropriate subject matter. In a previous post I addressed nudity and the Christian artist, today I would like to address subjects that don't seem to have anything to do with Christianity at all.

The story of our salvation is really the only story, and we retell it in endless variations. Even the ancient pre-Christian mythologies echo the story of Christ and His salvific role.

Think of it this way. Imagine time as a slow moving river. All of human history takes place within this river, from the first humans upstream to the present day somewhere further downstream. Each of us live out our lives in a current of this river, overlapping with others.

As humans our perception of time is linear. We look back upstream and see a sequence of events that have led us to where we are now. But God stands outside the river. God stands on the riverbank observing the passage of the stream. To God, all of our history is happening now, at different points along the river.

The Life's Work of the Artist is to Create Beauty

The Life's Work of the Artist is to Create Beauty

Many artists, especially those basing their work on traditional forms, are familiar with the "cult of the new." There seems to be an idea, within the rarified world of fine art, that "new" is better than "good," or "beautiful." This has led to some of the more extreme examples of modern art that sell for staggering sums and leave people shaking their heads over what is perceived as "art."

But outside of this "art bubble" there are artists who respect the traditions of the past and build on them, taking those ancient forms and breathing new life into them for a new generation. These are artists who recognize that their role is to pursue beauty and show it to the world, even if the world around them no longer understands the power of the beautiful.

The Artist As Prophet

The Artist As Prophet

We tend to think of a prophet as one who predicts the future, but that is not at all the ancient understanding of the word. The word "prophet" means speaker, or one who speaks. In Christian use, a prophet is one who has a special connection to God and speaks on God's behalf.

By virtue of our Baptism we are invested in the threefold office of Christ, priest, prophet, and king. The degree to which we fulfill each of these offices will depend on our individual gifts and calling. We are all called to be prophets, as well as priests and kings, to the degree our gifts allow us.

Art, Artists, and a Theology of Beauty, Part II

Art, Artists, and a Theology of Beauty, Part II

A beautiful spirit may shine even through a form that has been weakened. Drawing on both old and new testaments the early church fathers developed the doctrine of "kenosis" from a Greek word meaning emptiness. In the context of a theology of beauty kenosis refers to a humiliation of form, an emptying of one's self, so that the divine beauty shines more brightly. In the Old Testament this theme is taken up in the suffering servant.

How Does An Artist Deal With Rejection?

How Does An Artist Deal With Rejection?

Rejection and failure are facts of our existence. When an artist's work is rejected or negatively critiqued, he or she is often told "don't take it personally, they are not rejecting you, just your work." This is a reflection of post-enlightenment thinking that considers art an end unto itself. It considers art in a vacuum, unrelated to the context in which it was created or the purpose it serves because to our modern way of thinking, those considerations are irrelevant.

The Artist Lives for Christ

"He who does Christ's work, must stay with Christ always."

One of the greatest Christian artists is Giovanni Fiesole, better known to the world as Blessed Fra Angelico, the "Angelic Brother." Fra Angelico is a patron saint for artists. His style of painting beautifully bridges the iconographic and gothic traditions. Giorgio Vasari, author of "Lives of the Artists," referred to Angelico as a "rare and perfect talent."