The iconographic stylization persisted in Italy in some regions due in part to the fact the some parts of Italy remained under Byzantine rule until as late as the 11th century and the painting style continued, passed down by tradition.
From the Iconographic to the Gothic
The History of the Icon of the Transfiguration
Hold the Line! The Iconography and Workshops of George Kordis
George Kordis is offering classes in Athens and Crete this summer in English, see writingthelight.com. For those who don't have the resources and time to get to Greece, Kordis is now offering online courses at iconographytoday.com/en.
Hermits, Icons, and the Sacred
God First
Can You Paint a Holy Icon of Someone Not Yet Canonized? The Answer is Yes!
The painting of the image is part of the natural process of growing devotion that always occurs prior to canonization. This is the process by which we collectively and organically recognize the sanctity of someone. The official canonization comes after this and does not make someone a saint, it merely accepts what is already known.
Illuminations from the Macedonian Renaissance of the 9th Century
Here are some folios from the Paris Psalter. An anonymous reader brought these to my attention because he thought I might be interested in the similarity in style to the 6th-century Mesopotamian illumination I featured last week.
The Paris Psalter is not French! It was procured by the French ambassador to Constantinople around 1550. The city was in the hands of the Ottomans at this time. They date from a period of Greek art known as the Macedonian Renaissance in which there is a flourishing of a more naturalistic style of iconography which clearly draws on antique classical style. It is this style of iconography that inspired the Romanesque style in the West which is, as with these, an authentic iconographic tradition.
Many modern iconographers look to this period for inspiration, because it is felt that the naturalism would appeal the modern eye. The highly abstracted Russian style of the 15th century, for example, though well known can be too abstracted for some, it is felt.
Here, for example, is David composing the psalms.
David Composing the Psalms
David and Goliath
These are large - approximately 14' x 10'. Things that struck me about these, are that there is some naturalistic perspective here, even down to color perspective - see how the distant objects are blue. In this sense, they are reminiscent of the style of frescoes of 1st century Pompeii that I have seen.
Nevertheless, the handling of the perspective is still enough off-natural to be iconographic, it seems to me. The relative sizes of the figures do not change from foreground to distance, for example. I would love to know how Eastern Christians view these images. Do you consider these authentically iconographic or do you feel they push the envelope too far into naturalism?
Notice also how Roman the clothing looks also and the beautiful and intricate border patterns.
David Glorified by the Women of Isreal
The Healing of Hezekias
Isaias's Prayer
The Reproach of Nathan and the Penance of King David
Hannah's Prayer
Saint Lazarus the Painter, and the Artist in Heaven
Saint Lazarus Zographos (the painter) believed that we do not live for the here and now, we live for the future. We are not content with what is, but struggle to achieve what should be and what will be. As pilgrims on this earth we look to the future. The earth is not heaven, it is the path to heaven.
